Translation/Interpretation

Another element of the blog is the posting related to my translation/interpretation activities.

This includes column postings exploring translation/interpretation technicality or seeking helps/opinions concerning some specific topics.

Ever since I started translation/interpretation back in 12 years, I've been self-taught with respect to the translation/interpretation, seeking resources mainly from the books commercially available and from the Internet as required, while cumulating experiences in on-the-job, tried-and-true practices over the entire career.

I commenced to offer truly commercial or paid services when I was hired on the location in the US at a language service company, and eventually became a freelancer after working as an interpreter for a company in Japan.

Well it started off as a source of little pocket money to check out some concerts, and is full-fledged in the fields ranging from musical/entertainment-oriented materials to legal, financial, ecological, and some medical fields to be offered to the clients including numbers of ministers in and out of Japan. While it is of my greatest pleasure to be accredited to the point where my linguistic ability represents the National Governments of numbers of countries in such occasions as UN conference or general meetings, I've always been on an intensive challenge to meet the requirements of those clients.

If I were to live twice, I would attend another educational institution for a systematic study in the art of translation/interpretation, but I spent all the learning opportunities for my music and law as my parents required. In other words, time is up, and I am up and running!!

All in all, I would like to have an opprtunity to share experineces with other professionals in the field through these postings.

If you are in the field or really good at English drafting, please kindly share your opinions here in the posting.

Thank you in advance for sharing!

Comments

Post a Comment

Popular posts from this blog

KORG Trinity Pro with HDR Option/ ROLAND PCR-M80

Image
KORG Trinity Pro with HDR Option This is one and only key I have. It cost me all the recording and synth rigs I had back then. It was around 4 grand in Japan and 7 grand in the US back in a decade. However, with its advanced and integrated DAW functionality, it was a good deal; it really eliminated my synth rack, hard disk recorders, and audio mixer. I traded in all the BOSS stomps together to make it 4 grand. All my music sample is made out of this keyboard without any external recorder/ synth. As a matter of fact, those recordings were from my Berklee days where I was exploring the world of composition first in my lifetime. It is still my main keyboard only with its MIDI functions. Though still there is a big enthusiasts' community of this key, I should admit it sounds and looks obsolete today, and if you wish to have the equivalent synthesis, you can have it installed on your PC: Korg has released a software bundle called Legacy Collection which includes its Wave Station, M1 syn
Read more

1991 Fender Custom Shop 57 Stratocaster Mod. by Guitar Violence

Image
This heavy mod Fender Custom Shop Strat has been my main guitar for quite a long time. It's just that I invested too much on this cat to take it with me everywhere I gig. I mean, I would not be able to reconstruct in case of theft. Has 3-piece body and v-shaped neck just like Eric Clapton. It's not a Relic but is with normal wear and tear over twenty years adding a nice aged appearence to it. Yeah, I like how an aged lacquer face looks. What makes it a real "one of a kind" is the pickup configuration it has: Bartolini V90s, Seymour Duncan Little 59, Bartolini V90s, Seymour Duncan JB from neck to bridge. It has a 3 position strat pickup selector and another small 3 position flip switch that is activated when the strat PU selector is at the middle position to deliver signals from Bartolini PU/PUs as selected on the small flip switch. On the back of the head is the old Custom Shop logo. Crocodile Locking Pegs were not so popular when Sperzel was in fashion back in ten ye
Read more

Fender Japan Wood Champ

Image
Only a few tube guitar amps have been produced in Japan, and this little 5-watt Japanese Fender is among them. It resembles the Tweed model from original US Fender, but is even smaller with a 5" speaker that even works better with its 12 AX7 and EL 84 than more popular 12" in my opinion. I sold the Ampegs before taking off from Japan, but kept this little guy only because it is small enough to fit in my parent's loft with all the other things I left. It works second to none with full acoustic guitars in a guitar trio sort of setting causing NO feedbacks as is always the case when you use Twin or any other amp with 12" speaker that I never use without setting "Bass" tweak at 7 o'clock i.e. zero. Everytime I flip the power, I recall the night I picked this cat out of the store - probably every guitarist can recall that kind of night - I was all sweat and panting just coming back from the nearest ATM where I drained the balance in the last minute having fi
Read more